Eurostile Candy Alternatives

The Handel Gothic™ typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square... Read More

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original... Read More

Following to Swiss design principles, Alessandro Butti and Aldo Novarese designed the Microgramma font for the Nebiolo typefoundry in 1952. Microgramma is wide, almost like an "extended" font, and it has the typical look of 1950s industrial design. The font has been immensely popular as a display face ever since its original release. Use it in large sizes to help get your message across to... Read More

Morris Sans is a newly revised and extended version of a small geometric family of typefaces originally produced by Morris Fuller Benton in 1930 for ATF. His initial design consisted of an alphabet of squared capital letters with a unique twist that characterized its appearance: corners with rounded exteriors and right-angle interiors. The types were intended for use in the fine print found on... Read More

FF Max is a Danish sans inspired by Aldo Novarese’s Eurostile (1962). The letter shapes in FF Max have rounder, friendlier forms, giving... Read More

FF Max is a Danish sans inspired by Aldo Novarese’s Eurostile (1962). The letter shapes in FF Max have rounder, friendlier forms, giving the typeface a certain human touch. FF Max works well as a headline face for magazines and newspapers, but sets text with surprising ability too.

A popular choice within the FontFont library, FF Clan is an extensive family from Polish designer Łukasz Dziedzic. A contemporary sans... Read More

Following Generis, Aeonis is Erik Faulhaber’s second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface’s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis.... Read More

The first cuts of Trade Gothic were designed by Jackson Burke in 1948. He continued to work on further weights and styles until 1960... Read More

Based on square forms, FF QType successfully walks the difficult line between pure geometry and legibility. Achaz Reuss used his years of... Read More

Klint is a sans serif typeface with a technical appearance and humanistic streak. The family includes five weights; each weight ships in... Read More

For decades, the Persian-born Naghi Naghashian has been working as a graphic designer and illustrator in Germany. Linotype is pleasesd to publish his first commercial Arabic typeface, Arian.Named after his mother, Naghi created the Arian typeface family after years of systematically analyzing the Arabic script. Many languages are written with the Arabic script, including the Arabic language... Read More

In 1983, D. Stempel AG redesigned the famous Helvetica typeface for the digital age, creating Neue Helvetica for Linotype: a... Read More