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Eurostile Next Alternatives
See also: Fonts from The Big City
Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.
In 1983, D. Stempel AG redesigned the famous Helvetica typeface for the digital age, creating Neue Helvetica for Linotype: a... Read More
Check also: Fonts from The Big City
FF Bau is a large workhorse family of sans serif typefaces drawn in the “Grotesk” genre. Christian Schwartz is its designer, working... Read More
Created for magazine and newspaper headlines, FF Turmino is probably the first typeface that inverts the usual relation between weight and width. In other words: the heavier the font the more condensed it is. When using the family for newspapers or magazines it is now possible for the first time ever to set more text in Black than in Normal or Light. The result is a happy little family that... Read More
Originally drawn for a logotype, the FF District Bold style was completed in 2001. For French designer Albert Boton, it was refreshing to work in this style, and to tinker with the weight and the limitations peculiar to this kind of family. The rounded corners and subtle details gave the design stylishness and personality. First released in 2002 as part of FF Bastille Display family (together... Read More
Check also: Blender Alternative
The design of FF Chambers Sans is inspired by very divergent sources. In fact, during its development, designer Verena Gerlach had two... Read More
FF Enzo is a vigorous Scandinavian sans. Drawn by Swedish designer Tobias Kvant, the family comes in five weights from Thin to Black, each complete with companion italic. Inspired by past and present type styles, the face achieves a unique look; this mix of various sans serif design currents creates a quite contemporary, lively texture. The design features a high x-height with particularly... Read More
The Handel Gothic™ typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square... Read More
The Handel Gothic™ typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square... Read More
Xavier Dupré’s FF Absara is a work of French proportions, but its shapes take influence from the Dutch style: less polished, and more direct. Its casualness refers to humanist written forms. FF Absara’s rough cut makes it interesting at display sizes, but thanks to its generous x-height and firm serifs, FF Absara works equally well setting text. The typeface’s idiosyncratic italic creates a... Read More
Check also: Popular Fonts on Typewolf
The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris... Read More
FF Zine is a fine example of Berlin-based designer Ole Schäfer’s logic. Art Directors often have trouble finding coordinated typefaces across several different styles. The design began with a related project. In 1996, Schäfer drew a two-weight headline face for Dresden’s Sächsische Zeitung newspaper. The brief called for a display system offering multiple “atmospheres.” The solution he came up... Read More
Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and... Read More
The Venus type family is a historic hot metal face with left slanted weights that is used for the german cartographic map production. There are also special typefaces required like the Roemisch and Topografische Zahlentafel type family.
Check also: Cultivar
Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface... Read More
Check also: This is my Next
Eurostile Candy is a fun spinoff from Akira Kobayashi's Eurostile Next family. As the name implies, it is based on Eurostile but with... Read More
Die Gestalten 2003
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