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FF Reminga offers a fresh take on the Garamond tradition, rather sober (for Xavier Dupré’s work) and particularly readable at 10–12 points. It also comes in a narrower Titling version which is adds an even more elegant and calligraphic variation to the family. Dupré made significant improvements to FF Reminga’s letterforms for its 2008 OpenType re-release.
Maclean's is a weekly Canadian newsmagazine with a broad editorial mission. A typical issue covers everything from violence on the other side of the globe to the largest pumpkin grown in a local county. In 2001, Maclean's invited Rod McDonald to become part of the design team to "renovate" the 96-year-old publication. The magazine wanted to offer its readers a typographic voice that was... Read More
Rayuela (Argentine Spanish for Hopscotch) is inspired by the homonymous novel by celebrated Argentinian writer Julio Cortázar, whose writings are considered key to 20th century avant-garde literature. Rayuela is the result of a 2-year working process, at two postgraduate courses followed by Alejandro Lo Celso at the University of Reading, UK (1999-2000) and later at the ANRT Atelier National de... Read More
The Arlt super family pays tribute to the writings of Roberto Arlt, Argentinian writer from early 20th c. who wrote some original novels, all of which 'Siete Locos' ('Seven Madmen') is the most celebrated piece. Arlt has a Baroque style interpreted with an expressionist, more contemporary flair. This means the type is full of intense contrasts and vivid, expressive feelings. The italics make a... Read More
Rayuela (Argentine Spanish for Hopscotch) is inspired by the homonymous novel by celebrated Argentinian writer Julio Cortázar, whose writings are considered key to 20th century avant-garde literature. Rayuela is the result of a 2-year working process, at two postgraduate courses followed by Alejandro Lo Celso at the University of Reading, UK (1999-2000) and later at the ANRT Atelier National de... Read More
Though Albert Boton designed these in 1974 for the Hollenstein collection, what later became FF Cellini only existed as phototype until the 90s. Boton designed the family’s regular in digital during that decade, and added the italic in 2002. For its release, Boton completed the medium and bold weights, as well as a set of small caps for the regular weight. He also drew a separate, two-style... Read More