Extra Bold: Chocolate Chunk Serifs

ITC Motter Corpus was designed by the Austrian type designer Othmar Motter in 1993 to combine the display advantages of a sans serif extra bold design with the legibility of a roman weight. The Motter Corpus is available in the weights regular and condensed regular. The capitals with their strong strokes display slight irregularities and natural looking outlines. When used in very large point... Read More

Tomi Haaparanta got the idea for the Tyke typeface family after using Cooper Black for a design project. He liked Cooper¿s chubby design, but longed for a wider range of weights. “I wanted a typeface that was cuddly and friendly,” recalls Haaparanta, “but also one that was readable at text sizes.” He started tinkering with the idea, and Tyke began to emerge.Even though Haaparanta knew his... Read More

Rayuela (Argentine Spanish for Hopscotch) is inspired by the homonymous novel by celebrated Argentinian writer Julio Cortázar, whose writings are considered key to 20th century avant-garde literature. Rayuela is the result of a 2-year working process, at two postgraduate courses followed by Alejandro Lo Celso at the University of Reading, UK (1999-2000) and later at the ANRT Atelier National de... Read More

The Clearface types were originally designed by Morris Fuller Benton in 1907. Their forms expressed the Zeitgeist of the turn of the 20th century; typical and distinguishing characteristics are the forms of the "a" and the "k." The ATF version did not include an accompanying Italic.In 1978, ITC's Victor Caruso was licensed by ATF to develop a new serif typeface and matching italic based on the... Read More

The Souvenir typeface was originally drawn by Morris Fuller Benton in 1914 as a single weight for the American Type Founders company. It was revived in 1967 by Photo-Lettering and optimized for phototypesetting equipment. ITC was formed in 1971 and, with the help of Photo-Lettering, introduced ITC Souvenir as one of its first font families. ITC Souvenir was designed by Ed Benguiat and comes... Read More

The first cuts of Kabel appeared in 1927, released by the German foundry Gebr. Klingspor. Like many of the typefaces that Rudolf Koch designed for printing use, Kabel is a carefully constructed and drawn. The basic forms were influenced by the Ancient Roman stone-carved letters, which consisted of just a few pure and clear geometric forms, such as circles, squares, and triangles. Koch also... Read More