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FF Angie Alternatives
See also: MAGDEBURG
FF Angie is a humanistic typeface with small asymmetrical lead-in strokes and flared serifs. Jean François Porchez’s first typeface, FF Angie marks the beginning of a significant career in type design, its designer being truly one of the most notable French designers of his generation. FF Angie covers five weights, each with a true italic companion. Its italics are drawn lighter and narrower, and while still robust throughout, decidedly more fluid than the upright styles. The styles include ornaments, and Porchez additionally drew a related family for display use called FF Angie Open, whose heavy capital letters feature inline cuts. In 1990 FF Angie won the Brattinga prize in the Morisawa type design competition in Japan. The family can be combined with “Angie Sans,” which Porchez distributes via his own Typofonderie site.
Linex Sweet was designed by Albert Boton in the late 1990s. It's a smallish family of three weights; the middle weight has an italic companion face. With its soft corners and slightly quirky head-serifs, Linex Sweet is a friendly design that sees much use.
It was only after seeking the help of fellow type designers Christian Schwartz and Kris Sowersby that Erik Spiekermann was able to... Read More
Check also: Contemporary book text
Xavier Dupré’s FF Yoga mixes the harshness of a blackletter with the balanced rhythm and round shapes of the Renaissance Roman. Its... Read More
Check also: Space Saving Fonts
With the help of Paul van der Laan for kerning, spacing and production, Mike Abbink developed FF Milo Serif as a companion for his FF... Read More
Czech designer Oldrich Menhart (1897-1962) devoted his life to making letters. He was a calligrapher, lettering artist, and typeface designer with over twenty faces to his credit. The Monotype typeface, Menhart, was the second of his designs.Menhart began work on the design in the early 1930s and turned over his final artwork to the Monotype Drawing Office in 1934. The first size cut was 14... Read More
Frederic Goudy drew Truesdell in 1930 and first used it for an article in a quarterly journal for book collectors. Since it was a small family and not promoted, Goudy received few orders for fonts. The original drawings and matrices for the face were lost in the fire that destroyed Goudy's studio in 1939.The only known examples of Truesdell fonts reside in the extensive collection of... Read More
FF Reminga offers a fresh take on the Garamond tradition, rather sober (for Xavier Dupré’s work) and particularly readable at 10–12 points. It also comes in a narrower Titling version which is adds an even more elegant and calligraphic variation to the family. Dupré made significant improvements to FF Reminga’s letterforms for its 2008 OpenType re-release.
ITC Humana font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana is the perfect font for anything requiring both clarity and a touch of personality.
Rayuela (Argentine Spanish for Hopscotch) is inspired by the homonymous novel by celebrated Argentinian writer Julio Cortázar, whose writings are considered key to 20th century avant-garde literature. Rayuela is the result of a 2-year working process, at two postgraduate courses followed by Alejandro Lo Celso at the University of Reading, UK (1999-2000) and later at the ANRT Atelier National de... Read More
The Swedish designer/typographer Anders Bodebeck designed the Bodebeck type family in 2002. The family, which includes five different styles, is primarily intended for use as a titling, or display face, and belongs to the neo-transitional style of typefaces. Transitional style type first appeared in England during the late 1750s, when John Baskerville released his first sets of type. Bodeck... Read More
Bo Berndal, the master Swedish typographer, is the eponymous designer of Berndal, a contemporary text family with five different styles. This family represents a new achievement for Bo Berndal, who has spent many years working to optimize text legibility in the printed media. Several small tricks make the Berndal family an interesting milestone in legibility. Berndal's letterforms contain... Read More
The release of the Hawkhurst type family marks the arrival of a contemporary successor to the legion of classic British text faces. Designer Richard Yeend has created a successful reinterpretation of the transitional typeface style. A unique characteristic of this new design is the serifs, which differ slightly throughout the alphabet. Their playful terminals do not distract from legibility of... Read More
Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it.... Read More
As its name implies, Photina was created specifically for phototypesetting, the technology that preceded digital and laser typesetting. Photina was designed by Jose Mendoza y Almeida in 1971 and was the third face made by the Monotype Corporation for phototypesetting systems. Its high typographic quality, robustness, and refined detail have made Photina popular for magazine and book text.
The Clearface types were originally designed by Morris Fuller Benton in 1907. Their forms expressed the Zeitgeist of the turn of the 20th century; typical and distinguishing characteristics are the forms of the "a" and the "k." The ATF version did not include an accompanying Italic.In 1978, ITC's Victor Caruso was licensed by ATF to develop a new serif typeface and matching italic based on the... Read More
Birka is the first typeface I designed from scratch. It took a whole year of my weekend and evening hours and is the typeface that teached me everything I know about type design. It is easy too see that I had Garamond in mind when drawing it."Birka is beautiful" was the comment of the well known Swedish designer Bo Berndal when he first saw it. That comment gave me the courage to design more... Read More
Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Bergquist in 2002. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. It ships in OpenType format, with old style figures.... Read More
FontFont 2007
Check also: mercer