FF Netto Alternatives

A popular choice within the FontFont library, FF Clan is an extensive family from Polish designer Łukasz Dziedzic. A contemporary sans... Read More

On the way back to the airport from the 1994 ATypI conference in San Francisco, Albert-Jan Pool... Read More

FF Speak is Danish designer Jan Maack’s rounded sans. Maack’s express aim was to capture the tone and feeling of youthful conversation.... Read More

FF DIN Round comes as a welcome addition to the most popular family in the FontFont library and brings warmth to FF DIN’s simplicity and... Read More

FF Nuvo is a contemporary sans with a slight contrast. Certain characters have a calligraphic touch, especially a, g and y. The typeface... Read More

FF Dagny is a spare sans serif drawn in the “grotesk” style. In 2002, Sweden’s largest daily newspaper Dagens Nyheter (DN) changed from... Read More

Isonorm was created in 1980 by the International Standards Organization (ISO). The font's design is simple, clean, and geometric, with strokes that all have rounded ends. Isonorm is a font whose forms are very legible by both the human eye and machine readers. The font is also a good choice for drafting and architectural purposes, as well as for technical charts and graphics.

The impetus behind Felbridge was both ambitious and highly practical: to develop an ideal "online" typeface for use in web pages and electronic media. Robin Nicholas, the family's designer, explains, "I wanted a straightforward sans serif with strong, clear letterforms which would not degrade when viewed in low resolution environments." Not surprisingly, the design also performs exceptionally... Read More

FF Info is named after its purpose: the transfer of information. Its clean lines make no fashion statements, nor do they attempt any... Read More

FF Max is a Danish sans inspired by Aldo Novarese’s Eurostile (1962). The letter shapes in FF Max have rounder, friendlier forms, giving the typeface a certain human touch. FF Max works well as a headline face for magazines and newspapers, but sets text with surprising ability too.

The FF Sari story begins in 1983 when Hans Reichel made his first typeface for the Berthold foundry, under advisement from Günter Gerhard... Read More

FF Cocon’s designer, Evert Bloemsma (1958–2005) described it as a “serious typeface.” Despite first impressions, the description holds up... Read More

Trade Gothic Next is Akira Kobayashi's 2008 revision of Jackson Burke's 1948 design. Developed over many years, the original Trade Gothic was filled with many inconsistencies. Under the direction of Akira Kobayashi, Linotype's Type Director, the american type designer Tom Grace, a graduate of the MA Typeface Design in Reading, was commissioned to redesign, revise, and expand the Trade Gothic... Read More

The typeface FF Transit is a highly legible design that works well for readers who need quick orientation while en route. Made to blend... Read More

Praxis™ was designed in 1976 by Gerard Unger for the German technology corporation Dr.-Ing Rudolf Hell. Praxis is the sans serif... Read More

Created by German designer Jürgen Weltin, Linotype's Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark type. Agilita has rather classical proportions; its clear ascenders and descenders lend more distinct word shapes. Weltin's design has a dynamic, yet strong and very functional appearance with a... Read More

FF Info is named after its purpose: the transfer of information. Its clean lines make no fashion statements, nor do they attempt any technical wizardry. The typeface was initially intended for use on traffic signage,and other wayfinding systems in stations, on buildings, etc. Because space comes at a premium in such situations, FF Info Display is drawn narrow; It requires 15% less space than... Read More

The design of FF Chambers Sans is inspired by very divergent sources. In fact, during its development, designer Verena Gerlach had two... Read More

FF Max is a Danish sans inspired by Aldo Novarese’s Eurostile (1962). The letter shapes in FF Max have rounder, friendlier forms, giving... Read More

The ITC Pino™ typeface family is Slobodan Jelesijevic’s second suite of commercial fonts. Although a small family of three weights, it is remarkably versatile. Like many typefaces, Pino grew out of a desire for a particular kind of design. Jelesijevic was creating a series of illustrations for a children’s magazine and needed a typeface that was lighthearted, legible and would complement his... Read More