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Industria Alternatives
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Industria™ was designed by British graphic design guru Neville Brody, originally for a magazine called The Face, and released as a font by Linotype GmbH in 1989. Industria is a condensed sans serif with abbreviated, essential forms. It has a systemized mechanical structure of straight strokes with rounded outer corners and rectangular counter spaces. The solid version is strong, cool, and reserved; the inline version gives a vibrating and artful contrast. The alternate font has a more flamboyant lowercase g and t. Four original Brody fonts are available from Linotype GmbH: Insignia, Industria Solid, Industria Inline and Arcadia. His designs have received international recognition for their innovative style, reaching almost cult status.A Cyrillic version of this design is also available. It is named Tatlin.
Mekanik font is the work of British artist David Quay and as the name suggests, this geometric typeface reflects the simplicity of... Read More
Crillee is a family of our styles that was originally produced by Letraset. In 1980, Dick Jones designed Crillee Italic. Jones also designed the family's second style, Crillee Extra Bold Italic, in 1981. Peter O'Donnell designed Crillee Bold Italic in 1986. The fourth style, Crillee Italic Inline Shadow, was completed by Vince Whitlock. At the time of Crillee's development, Jones, O'Donnell,... Read More
Check also: PoMoCo
Teknik font is the work of British designer David Quay and was inspired by the powerful geometric styles of the 1920s Soviet... Read More
Digitek is the work of David Quay, a futuristic typeface inspired by output of a coarse resolution computer bitmap. This condensed font is best in large headlines with large letter and word spacing. Digitek is perfect for anything needing a computer-age look.
The work on FF Lancé began in 1983, when Joachim Müller-Lancé was in design school. Back from an inspiring vacation in Brittany, France, Müller-Lancé drew the first characters for the typeface by hand in class. He intended to use it for a photography project showing pictures from this trip. This was the origin of the medium weight. Ten years later, in Barcelona, he completed the alphabet,... Read More
Check also: Kredx
The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The... Read More
Alternate Gothic was designed by Morris Fuller Benton for the American Typefounders Company (ATF) in 1903. A version for the Intertype machine was released in 1958. The style of Alternate Gothic is in the 19th Century manner. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton's other well-known sans serif types, like... Read More
Check also: ALCYONE LOGO
Typefaces without serifs were known in nineteenth-century England as Grotesque (or Grotesk in German) because they seemed so unusual to... Read More
Roswell was designed by Jim Parkinson, who acknowledges the 'spacey' ancestry of its name. "Yes, Roswell, New Mexico. There was a big anniversary of 'the incident' in the news while I was designing in Roswell. "The incident" is of course the alleged UFO crash in Roswell. "I thought the name was acceptable as a serious font name, while, on another level, having a strangely humorous edge,"... Read More
Check also: Fonts for Apps
A popular choice within the FontFont library, FF Clan is an extensive family from Polish designer Łukasz Dziedzic. A contemporary sans... Read More
Plak is a typeface originally created by famous German designer Paul Renner in 1930. Paul Renner is also the designer of the Futura typefaces. Like Futura, Plak is a sans serif design. But its unique qualities include its heaviness, and its un-geometric lowercase "a."
Check also: Popular Fonts on Typewolf
The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris... Read More
Phenix American was designed by M.F. Benton in 1935. The Phenix American font is a headline design with condensed sans serif characters that look good on corporate stationery and packaging as well as on magazine and brochure covers.
Check also: PoMoCo