Inline Display

Designed by Ashley Havinden, Ashley Inline is a monoweight all-capitals typeface with a hand-crafted look, suggesting European decorative wood-cut letters from the twenties and thirties. The term inline refers to the fine reversed-out line in the centre of the characters of the Ashley Inline font.

Crillee is a family of our styles that was originally produced by Letraset. In 1980, Dick Jones designed Crillee Italic. Jones also designed the family's second style, Crillee Extra Bold Italic, in 1981. Peter O'Donnell designed Crillee Bold Italic in 1986. The fourth style, Crillee Italic Inline Shadow, was completed by Vince Whitlock. At the time of Crillee's development, Jones, O'Donnell,... Read More

Flamenco is the work of British artist Tony Geddes. Its versatile display style has an inline contour decoration and a controlled yet casual appearance. Flamenco will guarantee visual excitement across a vast range of advertising applications.

Follies is the work of designer Alan Meeks. Its striking 1940s style is combined with an inline look. Follies is excellent for applications where a strong graphic headline is required.

Frankfurter font is the work of designer Alan Meeks. The most distinctive feature of this informal, sans serif typeface is its curved or rounded terminals. The letters look best when set closely together. Frankfurter Medium is well-suited to a variety of display applications and comes in four weights, regular, medium, highlight and inline.

Industria™ was designed by British graphic design guru Neville Brody, originally for a magazine called The Face, and released as a font by Linotype GmbH in 1989. Industria is a condensed sans serif with abbreviated, essential forms. It has a systemized mechanical structure of straight strokes with rounded outer corners and rectangular counter spaces. The solid version is strong, cool, and... Read More

FF Kath Condensed is an early, historically-inspired inline skyline serif for headlines, though it’s quite at home in upscale packaging work.

Drawn in by the logo printed on the side of a cup from the erstwhile GDR dining car company Mitropa, Johannes Erler started work on FF Pullman in 1995. The original, somewhat rigid, basic typeface was soon joined by an elegant inline version. An overlay style was added so that the inner and outer forms could be set in different colors. Upon searching, Erler found a number of train symbols in... Read More

Shaman is the work of British designer Phill Grimshaw and you can almost hear the drums beating when you see it. It is a bold display typeface that features a unique, fractured effect and evokes a somehow primitive quality. Shaman is an all caps alphabet which comes complete with spot illustrations, graphic devices and a border system.

ITC Stenberg was designed by Tagir Safeyev based on the forms characteristic of the Constructivism in the early days of the USSR. The brothers Vladimir and Georgii Stenberg were two of the creative artists of this movement who were turning older forms to revolutionary use. ITC Stenberg has a caps and small caps alphabet and is available in a bold and an inline version.

On March 20, 1988, Mike Tyson defended his world championship title against challenger Tony Tubbs. The event’s poster was designed by Neville Brody which named the fight’s location: the Tokyo Dome. Full alphabets based on the letters Brody drew by hand for the poster were eventually completed and digitized into ten fonts. These form the FF Dome, FF Tokyo, and FF World series. All typefaces have... Read More