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ITC Charter Alternatives
See also: Space Saving Fonts
ITC Charter font is the work of desigern Matthew Carter, who has been involved in type design since he was 19. The typeface is a traditional old style type with a few nontraditional characteristics. Charter font was designed as a highly legible text typeface for use on both laser writers and high resolution imagesetters.
With the help of Paul van der Laan for kerning, spacing and production, Mike Abbink developed FF Milo Serif as a companion for his FF... Read More
Check also: Correspondence Fonts
Sumner Stone worked together with Bob Ishi of Adobe to create the Stone family fonts, which appeared in 1987. Coincidentally, ishi is the... Read More
Gerard Unger developed Swift™ between 1984 and 1987, with the intention of making a modern digital type for newspapers. The project was undertaken for the German firm Dr.-Ing Rudolf Hell GmbH. At that time, newspapers were produced on high-speed presses with low quality paper. Unger says Swift is "designed to be a survivor." It has chunky triangular serifs, sturdy connections at junctures,... Read More
Check also: Popular Fonts on Typewolf
The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris... Read More
Xavier Dupré’s FF Yoga mixes the harshness of a blackletter with the balanced rhythm and round shapes of the Renaissance Roman. Its sturdy serifs are a good choice for body text; They also serve as an effective headline face given their subtly chiseled counters. FF Yoga Sans is a contemporary alternative to the quintessential humanist sans (Gill Sans) and a steady companion to FF Yoga... Read More
Birka is the first typeface I designed from scratch. It took a whole year of my weekend and evening hours and is the typeface that teached me everything I know about type design. It is easy too see that I had Garamond in mind when drawing it."Birka is beautiful" was the comment of the well known Swedish designer Bo Berndal when he first saw it. That comment gave me the courage to design more... Read More
Borges is a versatile type family designed by Alejandro Lo Celso, inspired by the literature of Argentinian writer Jorge Luis Borges. It is a very legible & classic type designed with a contemporary feeling. Its delicate sense of rhythm delivers a comfortable legibility at reading. It was conceived for editorial use, though it is suitable for a variety of designs. Borges is composed of fifteen... Read More
Amasis is a slab serif design which has been drawn with a humanist approach, rather than the traditional geometric construction associated with this style of letter. The result is a typeface that has an affinity with the Ionics, although in character it belongs to the latter decades of the twentieth century. The Amasis italic fonts, rather than being sloped roman or cursive in nature, are... Read More
Gilgamesh is the work of British designer Michael Gills, based largely on his calligraphic experiments and named after a poem from Middle Eastern mythology, "The Epic of Gilgamesh". Gilgamesh offers functionality with style and will give emphasis to any typographic design.
The beginning of Canada's centenary year, January 1, 1967, is generally given as the date for the introduction of that country's first important typeface. This isn't close to the correct date.While CG Cartier, drawn by the Canadian designer Carl Dair, was first shown to the public in January of 1967, this was more an idea for a typeface than a typeface itself. Even when a font was eventually... Read More
Maclean's is a weekly Canadian newsmagazine with a broad editorial mission. A typical issue covers everything from violence on the other side of the globe to the largest pumpkin grown in a local county. In 2001, Maclean's invited Rod McDonald to become part of the design team to "renovate" the 96-year-old publication. The magazine wanted to offer its readers a typographic voice that was... Read More
Designed by Thomas Hoffman, HoTom's historical roots are easily traced back to the slab serif style. HoTom was originally intended as a lettering system for a project in the center of the old East Berlin. This explains the stable, angular characters and the consistent rectangular base forms, which also makes HoTom a very legible font, suitable for longer texts.Ho Tom is part of the TakeType... Read More
Check also: Maybe
Jan Tschichold designed Sabon™ in 1964, and it was produced jointly by three foundries: D. Stempel AG, Linotype and Monotype. This was in... Read More
In the 1980s, Linotype worked with the Basel School of Design (Switzerland) to create a new typeface that would be maximized for optimum legibility. Professor Andre Gürtler oversaw the research for the project, along with Reinhard Haus and the Linotype Design Studio. The goal was to create a typeface to work with contemporary typesetting and printing technologies. Linotype released the result,... Read More
Matthew Carter has been refining his design for Alisal for so long, he says, that when he was asked to complete the design for the Monotype Library, it was almost as if he were doing a historical revival of his own typeface. The illusion even extended to changes in his work process: although he now does all his preliminary and final drawing on screen, the first trial renderings of Alisal were... Read More
Nimrod was released by Monotype in 1980. Designed for current newspaper technology, the Nimrod font family evolved as a result of extensive examination of newspaper industry needs. Nimrod retains many of the features of the traditional newspaper Ionics, but some of the fussier detailing has been replaced by the more sober forms of the old styles, such as Plantin. A highly legible font family,... Read More
The idea for the Generis type system came to Erik Faulhaber while he was traveling in the USA. Seeing typefaces mixed together in a business district motivated him to create a new type system with interrelated forms. The first design scheme came about in 1997, following the space saving model of these American Gothics. Faulhaber then examined the demands of legibility and various communications... Read More
Ascender Serif™ Bold Italic was designed by Steve Matteson as an innovative, refreshing serif design that is metrically compatible with Times New Roman™. Ascender Serif ™ Bold Italic offers improved on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across platforms.... Read More
Check also: babe /headings