Neue Haas Grotesk Alternatives

In 1983, D. Stempel AG redesigned the famous Helvetica typeface for the digital age, creating Neue Helvetica for Linotype: a self-contained font family. Today, this family consists of 51 different font weights. It’s original numbering system for the weight designations came from Adrian Frutiger’s numbering system for the Univers family. The basic font weight, “Neue Helvetica Roman”, is at the... Read More

Basic Commercial is a font based on historical designs from the hot metal typeface era. It first appeared around 1900, and was created by type designers whose names have not been recorded but whose skills cannot be overlooked. This typeface's design has been popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. It... Read More

FF Bau is a large workhorse family of sans serif typefaces drawn in the “Grotesk” genre. Christian Schwartz is its designer, working under the inspiration of Grotesk types cast by the Schelter & Giesecke foundry in Leipzig. Schelter & Giesecke sold these popular Grotesks for many decades; they were first introduced around 1880. When the Bauhaus moved nearby in Dessau in the mid-1920s, these... Read More

Rotis is a large typeface family consisting of, Serif, Semi Serif, Semi Serif and Sans Serif font styles. Agfa Rotis was created for Agfa Compugraphic. The font styles are matched for weight and height to give consistency when mixed. Certain round characters have a distinctive calligraphic treatment which is apparent in all styles. A versatile family which can be used for text as well as... Read More

Trade Gothic Next is Akira Kobayashi's 2008 revision of Jackson Burke's 1948 design. Developed over many years, the original Trade Gothic was filled with many inconsistencies. Under the direction of Akira Kobayashi, Linotype's Type Director, the american type designer Tom Grace, a graduate of the MA Typeface Design in Reading, was commissioned to redesign, revise, and expand the Trade Gothic... Read More

HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

Tablet Gothic from Veronika Burian and José Scaglione of TypeTogether makes brilliant harmony of two disparate grotesque models in a healthy number of widths and weights. First created for setting titles in periodicals, the project grew to handle text setting quite well, with a comfortably loose fit in the regular weights. The overall tone stays friendly throughout, helped by the face’s active,... Read More

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer... Read More

FF Sero combines the familiar forms of an American Grotesque with the legibility of a Humanist sans. It has open counters, a relatively high x-height and a homogeneous gray value. Inside the seven years of its development, the classic letterforms matured to reveal a balanced, distincitve design. Eight carefully stepped weights and an extensive character set allow for a sophisticated and... Read More

Typefaces without serifs were known in nineteenth-century England as Grotesque (or Grotesk in German) because they seemed so unusual to most readers. Monotype Grotesque font is a straightforward 1926 design that is among the earliest sans serifs cut for hot-metal machine typesetting. Its simple, clean lines make it amenable for text use, and the condensed and extended versions are useful for... Read More

The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris Fuller Benton drew the original design in 1902 for American Type Founders (ATF); it was the first significant modernization of a nineteenth-century grotesque. Named in honor of Benjamin Franklin, the design not only became a best seller, it also served as a... Read More

Classic Grotesque by Rod McDonald:a traditional font with a modern face An update of Monotype Grotesque that was first published in 1926, Rod McDonald's Classic Grotesque combines both traditional and contemporary elements of typography. With its many fascinating details, Classic Grotesque is at home in print and web designs.The growing popularity of grotesque typefaces meant that many new sans... Read More

Clearface Gothic first appeared in 1910, designed by Morris Fuller Benton, the world-famously prolific typeface artist. In addition to Clearface Gothic, Benton also designed classics like Franklin Gothic, Century Expanded, and many other types. Clearface Gothic is a sans serif face with light forms displaying the Zeitgeist of the turn of the 20th century. Distinguishing characteristics are... Read More

The lighter weights of News Gothic™ were designed by Morris Fuller Benton in 1908 for American Typefounders. This typeface is quite similar to Benton's other sans serifs from the early twentieth century, Franklin Gothic™ and Alternate Gothic™. The bold weights were added in 1958. The caps in News Gothic have a similar visual width to each other, and the lowercase is compact and powerful.... Read More