Phosphor Alternatives

FF Typeface Four is a two-style series from Neville Brody. Both styles are extremely narrow, stylized sanses. The letters are nearly... Read More

The first cuts of Kabel appeared in 1927, released by the German foundry Gebr. Klingspor. Like many of the typefaces that Rudolf Koch... Read More

Odessa was designed by Peter O'Donnell, an impressive, refined sans serif typeface based on the compass and ruler design of Futura. It is best set with wide letter spacing and is particularly good for an upscale, fashionable look. The fine-line casing of Odessa emphasizes its clean, proportioned features.

The FF Archian family came from György Szönyei’s desire to create a geometric font using vertical and horizontal elements and no curves. FF Archian Normal was the first arrival of the family, the product of playful manipulation of form and function. The other weights were produced as variations on a theme, each with a different inspiration: architecture, painting, and fine arts. In 2010 the... Read More

“There are many Bauhaus style fonts on the net/in the different libraries. For me, there were no questions about hungarian influences.... Read More

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was... Read More

Follies is the work of designer Alan Meeks. Its striking 1940s style is combined with an inline look. Follies is excellent for applications where a strong graphic headline is required.

Designed by Ashley Havinden, Ashley Inline is a monoweight all-capitals typeface with a hand-crafted look, suggesting European decorative wood-cut letters from the twenties and thirties. The term inline refers to the fine reversed-out line in the centre of the characters of the Ashley Inline font.