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Proxima Nova Alternatives
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Proxima Nova (2005) straddles the gap between typefaces like Futura and Akzidenz Grotesk. The result is a hybrid that combines modern proportions with a geometric appearance. Mark Simonson originally released it in 1994 as Proxima Sans (now discontinued). He expanded the original six fonts (three weights with italics) into a full-featured and versatile family of 42 fonts (seven weights in three widths with italics). In the last few years, Proxima Nova has become one of the most popular web fonts, in use on thousands of websites around the world.
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FF Kievit explores the synthesis of the sans serif form to the structure and proportions of a traditional Renaissance Roman such as... Read More
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On the way back to the airport from the 1994 ATypI conference in San Francisco, Albert-Jan Pool... Read More
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FF Mark is one of the most iconic geometric sans serif typefaces of our time. Created by German type designers Hannes von Döhren,... Read More
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Typefaces without serifs were known in nineteenth-century England as Grotesque (or Grotesk in German) because they seemed so unusual to... Read More
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This lively sans combines plain shapes with calligraphic touches. FF Sanuk’s roman letterforms are clean and crisply drawn, but their... Read More
FF Ginger was designed as an alternative to the widely-used Crillee and Serpentine faces, which are especially popular for their bold italic variants. They express speed and strength and are popular choices for service industry logos, television productions, etc. FF Ginger’s Light weight and matching Icons extend the typographic scope of the narrow use cases seen in the other two. The... Read More
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Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original... Read More
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The design of FF Chambers Sans is inspired by very divergent sources. In fact, during its development, designer Verena Gerlach had two... Read More
“Schulbuch” is German for “school book.” This series of small type families named after regions in Germany shows geographic nuance: FF Schulbuch Nord for northern Germany, FF Schulbuch Süd for southern Germany, and FF Schulbuch Bayern for the state of Bavaria. Each of the three includes Regular and Bold weights. The typefaces themselves were drawn by Just van Rossum. The letterforms are based... Read More
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Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface... Read More
FF Zine is a fine example of Berlin-based designer Ole Schäfer’s logic. Art Directors often have trouble finding coordinated typefaces across several different styles. The design began with a related project. In 1996, Schäfer drew a two-weight headline face for Dresden’s Sächsische Zeitung newspaper. The brief called for a display system offering multiple “atmospheres.” The solution he came up... Read More
Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and... Read More
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FF Super Grotesk draws from a 1930s design by Arno Drescher, easily the most popular sans serif in use in East Germany – the GDR’s... Read More
FF Enzo is a vigorous Scandinavian sans. Drawn by Swedish designer Tobias Kvant, the family comes in five weights from Thin to Black, each complete with companion italic. Inspired by past and present type styles, the face achieves a unique look; this mix of various sans serif design currents creates a quite contemporary, lively texture. The design features a high x-height with particularly... Read More
Linotype 2003
Die Gestalten 2008
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