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Stymie Alternatives
See also: Slabs Like Aleo
In 1931, Morris Fuller Benton created the Stymie typeface for the American Type Founders (ATF). Later weights were later added by Sol Hess at Lanston Monotype and Gary Powell at ATF. Stymie, a redesign of the Inland Type Foundry's Rockwell Antique, could also be viewed as a reworking of a slab serif types that were popular in Europe at that time, like Memphis or Beton. For the past 150 years, slab serif types (sometimes called Egyptian or Egyptienne-style faces) have been a popular choice for headline text in newspapers, magazines, and advertising.
Trend is a typeface made of layers, taking as a basis a sans and a slab version. It is the result of observation, search and study of the... Read More
The Venus type family is a historic hot metal face with left slanted weights that is used for the german cartographic map production. There are also special typefaces required like the Roemisch and Topografische Zahlentafel type family.
Check also: Slab Serif
Because of the geometric basis of its forms, Memphis is often thought of as a font for technical fields, making a rational, purposeful... Read More
The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from... Read More
Rockwell font appeared with Monotype Design Studio in 1934, a time which saw the return to popularity of slab serif fonts. Rockwell's strong and harmonious characters make this font particularly flexible.
Check also: Square Slab and EF Egizio Alternatives
Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface... Read More
Magnus is a titling font designed by Bruno Grasswill in 1981. The narrow figures build close, strong lines. Its serifs have the same width as the main strokes as is typical of slab serif typefaces. Some letters have serifs which are only half-sized, for instance the u, x or y. Striking are also the forms of the capital and lower case s as well as the rounded stroke endings of the d, h, m... Read More
Check also: Correspondence Fonts
When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was... Read More
When the semi-serif Museo became a success in 2008, its designer Jos Buivenga researched some possibilities of other versions. Museo Sans was not that difficult because making a sans out of a (semi) serif is — more or less — cutting off the serifs and adjusting weight, width and contrast. So… Buivenga made Museo Sans and while doodling around and fiddling with slab serifs to make Museo Slab,... Read More
Check also: EF Egizio Alternatives
Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. Each OpenType font contains 922 glyphs, with a total of 25,816 glyphs in both families together. The following codepages are fully supported in Aptifer: 1252 Latin 1, 1250 Latin 2: Eastern Europe, 1254... Read More
Elsner+Flake 1931
Elsner+Flake 1955
Check also: Size matters