Symbol: Arrows

The original FF Dingbats font package was designed in 1993. At that time, there were no symbol font available on the market, except for Zapf Dingbats, whose design dated from the 1970s. The FF Dingbats package was the first symbol typeface for a new generation. The package included about 800 symbols and icons for the world of modern communication. There were glyphs for faxes, ISDN, disks,... Read More

The first drawings of FF Eureka date from 1995 when it was designed for the bilingual text “Transparency”. The typeface works particularly well with languages that commonly use accented characters. Because most contemporary Latin typefaces have large x-heights, little room is left to accommodate the accents which end up being small and tightly wedged in place. In many languages however, the... Read More

The 14 symbol and arrow fonts in Vialog™ Signs were designed to accompany Vialog™, a specially developed font family for the transportation industry and information systems typography. These functional and clever signs harmonize with the Vialog alphabets perfectly; and they can also be used on their own or with other fonts. The extensive sets have not only the symbols for common transportation... Read More

Zapf Essentials are digital dingbats and ornaments designed by Hermann Zapf for everyday use and as the name say, you just have to have them! There are endless possibilities for their use, as the six different fonts contain together 372 designs with a variety of current, updated symbols for telephones, cell phones, telefax, and e-mail. Zapf Essentials feature a number oof special charactistics.... Read More

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: "Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost... Read More

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: "Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost... Read More