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TDC2 2001 Award Winners
The Type Directors Club of New York awarded these typefaces a Certificate of Excellence in Type Design in its annual TDC2 competition.
These selections won the recognition of the jury at the annual type design competition organized by the Type Directors Club of New York, a non-profit professional organization dedicated to educating its international membership and the graphic arts community about type, type design, and its myriad of uses in the field of communications.
The contest was judged by Carol Twombly, Robert Bringhurst, Tobias Frere-Jones, and Helen Keyes. John D. Berry chaired the jury.
This Fontlist shows all the winning designs that are offered through FontShop.
ITC Aspera is the product of graphic experimentation. Olivera Stojadinovic, who designed the face, recalls, "Over the last 15 years, I have made several small prints using Cyrillic characters. Often, I made my first sketches with a special pointed brush which was difficult to manipulate well, but once tamed, gave me interesting results." Stojadinovic decided to see if she could reproduce the... Read More
The award-winning Conrad was created by Japanese type designer Akira Kobayashi. Its design was based on the fifteenth-century type by Conrad Sweynheym and Arnold Pannartz, two German printers active in Rome at that time. They produced a unique, slightly unbalanced yet attractive type. Kobayashi says of his typeface, "I have designed a couple of typefaces inspired from the past, but this time... Read More
Linotype Really, designed by Gary Munch, is a typeface family of six weights with italics and small capitals that offers a broad palette of expressions to draw from, sensibly light to brightly stentorian. The moderate-to-strong contrast of the vertical to horizontal strokes recalls the Transitional and Modern styles of Baskerville and Bodoni, and the subtly obliqued axis of the stoke weight... Read More