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Three-Dimensional: Shadow

Yves Peters
T
Last edited May 04, 2014
vortex
illustrative
Fat people are harder to kidnap

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared... Read More

brandy
zygapophysis
Please no conversation, no saliva

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be... Read More

always
wunderkinder
Today is under construction

FF Jigger casts a long shadow, drawn in emulation of type seen from time-to-time on television where the purpose is to differentiate words from moving backgrounds. The fonts are made for headline use and work best in mixed-case settings. The family comes in a round and a square version, both of which are available as shadowed fonts or with separate fore- and backgrounds which can be overlaid... Read More

always
zygapophysis
Even fools are right sometimes

FF Outlander was announced as being the corporate typeface of Nippon-Jones Offworld Colonist Services, a division of TranseurochineConurb Infrasystems. The four basic weights (Light, Medium, Bold, Black) are stringently applied across the ten subsectors that comprise the main organisation and are covered in detail in Paragraphs 3544-3998 of the TCI Design for Exploitation CD-ROM. FF... Read More

replay
abstractions
Careful tiny grass is dreaming

The original typeface idea was outline with diagonal stripes at 45° through the characters and was to be called "Candy". This was in 1971. The font "Taut" which is based on "Candy" was started in summer 1995 and four versions of the font were submitted to Linotype in February 1996 and included a striped version. As with "Albertus" the font has only caps and is essentially minimalist.Taut was... Read More

mystic
japanophilia
Survivors will be shot again

FF Jackie is a semi-script/semi-sans series of typefaces. Its basic variants – in regular and bold weights – are inspired from the lettering on Jack Daniel’s whiskey labels. The typeface’s designer, Dario Muhafara, wanted to create a face with a contemporary look, somewhere between a retro sans and a serious script. His idea was to create a face that is suitable for text in large sizes – above... Read More

always
enthusiastic
From congeals the knife treatment

Gillies Gothic font was originally designed by William S. Gillies for Bauer'sche Schriftgiesserei. The Extra Bold Weight was designed by Freda Sack at Letraset Design Studio and later the Extra Bold Shaded was designed by Phillip Kelly at Letraset. The extravagant capitals should be used as initials with the more reserved lowercase, and the lowercase should be set closely, overlapping where... Read More

safety
enthusiastic
From congeals the knife treatment

Crillee is a family of our styles that was originally produced by Letraset. In 1980, Dick Jones designed Crillee Italic. Jones also designed the family's second style, Crillee Extra Bold Italic, in 1981. Peter O'Donnell designed Crillee Bold Italic in 1986. The fourth style, Crillee Italic Inline Shadow, was completed by Vince Whitlock. At the time of Crillee's development, Jones, O'Donnell,... Read More

Eric Gill
Monotype 1931
William Caslon
ITC 1760
Luc(as) de Groot
LucasFonts
Steffen Sauerteig
FontFont 2000
Ray Cruz
Bitstream 2004
Gerd Sebastian Jakob and Joerg Ewald Meißner
Elsner+Flake 2000
Rian Hughes
FontFont 1995
Norbert Reiners
Elsner+Flake 1995
John Roshell
Comicraft
Comicraft Design and John Roshell
Comicraft 2022
Comicraft Design and John Roshell
Comicraft 2022
John Jones
Linotype 2001
Alan Meeks and K. Sommer
Elsner+Flake 1930
Dario Manuel Muhafara
FontFont 2003
John Roshell
Comicraft
John Roshell
Comicraft
John Roshell
Comicraft
John Roshell
Comicraft
John Roshell and J.Scott Campbell
Comicraft
Max R. Kaufmann and E+F Design Studio
Elsner+Flake 1908
William S. Gillies
ITC 1935
John Roshell
Comicraft
Comicraft Design
Comicraft
Ralph M. Unger
profonts 2008
Gisela Will and Günther Flake
Elsner+Flake 1998
John Roshell and Eric Eng Wong
Comicraft
Dick Jones, Peter O'Donnell and Vince Whitlock
ITC 1980
Robert Harling
Elsner+Flake
Julien Janiszewski
Bitstream 2004
Eugen Lenz and Max Lenz
Bitstream