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Wood Type: Slab Serif | FontShop
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Wood Type: Slab Serif

See also Wood Type and Wild West Fonts.

Noah Nazir
W
Last edited September 11, 2018

See also
Wood Type: Sans Serif
Wood Type: Decorative
Wild West

replay
illustrative
Remember to pillage before you burn

The Handel Gothic™ typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square... Read More

brandy
microphysics
Work to live, don’t live to work

Westside™ was designed by Adrian Frutiger in 1989 and can be classified as a "wood type." It is reminiscent of dusty streets, Wild West heroes and swinging saloon doors. The origins of wood types are found in the early nineteenth century, when such types really were cut in wood, and printed on hand presses. Westside has big fat serifs and heavy horizontals that are much thicker than the skinny... Read More

winter
ultraviolets
Help oneself terminating machine

Figaro is a very condensed slab serif design of the kind associated with nineteenth century advertising. The Figaro font has considerable weight contrast in the strokes, with a marked weight emphasis on the horizontal elements, including the serifs. Use the Figaro font for display and advertising and for 'Wild West' style posters.

chalet
zygapophysis
The road to hell wasn’t paved in a day

One look at the font Wanted brings to mind swinging saloon doors, double shots of whiskey and sheriff's badges. It belongs to the so-called Italienne typefaces which began to appear at the beginning of the 19th century. The distinguishing characteristic of such typefaces is the robustness of its serifs, which exceeds that of the base strokes. Wanted looks almost as though it were stamped on... Read More

always
illustrative
The road to hell wasn’t paved in a day

Ponderosa font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly, who also created Rosewood, Zebrawood and Pepperwood together. As the name suggests, it is so-called wood type. The origins of this kind of typeface can be found in the early 19th century. Called Italian or Italienne, these typefaces quickly became very popular. They are distinguished by... Read More

always
guitarfishes
Let us do the birds friend

Designed by Dave West and released in 1960, the name Barnum associates this face with the famous nineteenth-century traveling American circus and showman P.T. Barnum. The wood-cut influence of the letter makes the PL Barnum Block font ideal for posters, signage and creative titling and packaging.

replay
bureaucratic
Line up to block in the seafood

PL Davidson Americana is an all-capital typeface based on woodcut designs from the nineteenth century. The PL Davidson Americana font was designed by M. Davison in 1965, during the revival of American headline faces.

replay
conceptional
The world without his nucleus

Joy Redick designed Blackoak, a big and heavy Egyptienne-sytle titling slab serif face, in 1990. The extremely robust style of the characters in this typeface was consciously distorted; creating letterforms that appear flattened and stretched, like a rubber band. Blackoak is drawn in the style of old wood tpes, just like those that one envisions when one thinks of the large, decorative posters... Read More

Donald Handel, Nadine Chahine and Rod McDonald
ITC 2010
Adrian Frutiger
Linotype 1989
Monotype.Design Studio
Monotype
Robert Harling
Bitstream 1938
Esselte Letraset
ITC 1995
Kim Buker Chansler
Adobe 1990
Dave West
Monotype
M. Davison
Monotype
Joy Redick
Adobe 1990