Discover legacy content from FontShop.com, preserved for your reference.
Extra Bold: Compact Sans Serifs
Tall and narrow, with gigantic x-heights and compact descenders, these space-efficient sans serifs pack in the most words per line.
See more extra bold fonts.
Plak is a typeface originally created by famous German designer Paul Renner in 1930. Paul Renner is also the designer of the Futura typefaces. Like Futura, Plak is a sans serif design. But its unique qualities include its heaviness, and its un-geometric lowercase "a."
Anzeigen Grotesk is a heavy, condensed sans serif face drawn in the style of typefaces popular during the early 20th Century. It was originally intended for use in advertising design, a field for which it is still well suited. Anzeigen Grotesk (which means "advertising sans serif" in German) is best used in larger point sizes.
Smart Sans is a personal tribute to Leslie (Sam) Smart, the first type director to be hired by a major typesetting house in Canada. Smart was a twentieth century design pioneer who raised the standards of Canadian typography. Together with three of his peers, he established the first Type Directors Club in Toronto.After Smart's death in 1998, type designer Rod McDonald decided that something... Read More
The Placard Condensed font family is based on drawings received from Germany. These narrow, heavy, sans serif typefaces were made for use in headlines and advertising display work. Placard Condensed has a large x-height, short ascenders and descenders and is capable of packing very tightly to produce forceful publicity work.
FF Govan is a small family of chunky sanses in three widths. In 1999, Glasgow was designated the UK City of Architecture and Design. MetaDesign performed a great degree of creative work for this campaign, including this typeface, designed by Erik Spiekermann and Ole Schäfer. In design history, Glasgow is famous for the art nouveau work of the Charles Rennie Mackintosh (1868–1928). While... Read More
FF Kipp was designed by Claudia Kipp who studied in Bielefeld, Germany. The typeface was initially part of her university thesis, based on a wood type alphabet from the 1930s she discovered in Leipzig. After digitizing the design, she went back to add special optical effects to convey the historical sense associated with printing from woodblock typefaces. The face has been broken into levels of... Read More
FF Fago is the quintessential corporate typeface, a result of many years of work within the challenges and requirements of complex corporate design projects. The family offers five finely balanced weights across three widths, enough for virtually any conceivable application. Its various widths were carefully planned and drawn to complement and combine with each other. Aside from the impressive... Read More