ITC Goudy Sans Alternatives

ITC Atelier Sans began as one of Curtis¿s renovations. His goal was to create a monoline design with Art Deco “sensibilities,” but without the geometric precision and relatively small x-height of faces like Futura or Kabel. Gentle curves and suggestions of serifs create a crisp, clean and open face that is at once sleek, sensuous and still affable. Available as a two-weight family with... Read More

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The... Read More

“There are many Bauhaus style fonts on the net/in the different libraries. For me, there were no questions about hungarian influences.... Read More

The lighter weights of News Gothic™ were designed by Morris Fuller Benton in 1908 for American Typefounders. This typeface is quite similar to Benton's other sans serifs from the early twentieth century, Franklin Gothic™ and Alternate Gothic™. The bold weights were added in 1958. The caps in News Gothic have a similar visual width to each other, and the lowercase is compact and powerful.... Read More

ITC Bailey Sans is the first typeface family created by Kevin Bailey, a graphic designer in Dallas, Texas. He was once looking for an understated block serif for a design project and could find nothing suitable. Bailey began working on his own serif face but then found that the basics of his new design worked well as a sans serif and continued on that track. ITC Bailey Sans font is available... Read More

FF Fago is the quintessential corporate typeface, a result of many years of work within the challenges and requirements of complex... Read More

The branding agency's client wanted an "ultra modern" typeface that was "futuristic without being gimmicky or ephemeral," according to... Read More

ITC Dyadis font is the work of Austrian designer Yvonne Diedrich. It is named for the Greek word "dyas", meaning duality and explores the duality of serif and sans serif letterforms, blending their styles and focusing on their connection with one another. The forms were inspired by the typefaces of the 1920s and 30s and combine the legibility and elegance of a serif font with the simplicity... Read More

Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as... Read More

Franko Luin, Esperanto's designer, on this typeface: "Esperanto has a lot in common with classic typefaces, and newer interpretations of the classics. The italic reminds of the lettering idea of the Renaissance and their manuscripts. This typeface's name refers to the international language Esperanto, of course." The font is not compatible with the character set of the Esperanto language

Ragnar can be called a typeface for compact typography. It is loosely related to the Saga typeface in many ways, even including its name. During discussing on what Saga should be called, the name "Ragnarök" (Gottendammerung) was humorously suggested. "Ragnarök" would of course have been unsuitable, since it uses a letter with a diacritic sign, and in many computer systems, that is a deadly sin.... Read More

Based on Roman inscriptions, Classic Roman is an all-capitals headline typeface with many similarities to Trajan. The Classic Roman font... Read More

FF Zine is a fine example of Berlin-based designer Ole Schäfer’s logic. Art Directors often have trouble finding coordinated typefaces across several different styles. The design began with a related project. In 1996, Schäfer drew a two-weight headline face for Dresden’s Sächsische Zeitung newspaper. The brief called for a display system offering multiple “atmospheres.” The solution he came up... Read More