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ITC Isbell Alternatives

See also: Robert Fiehn

Noah Nazir
I
Last edited August 09, 2018

ITC Isbell font is the work of Dick Isbell and Jerry Campbell of Detroit, Michigan, a highly stylized roman typeface which retains an exceptional legibility. The unusual arches and curves of several lowercase characters give the typeface its individuality. ITC Isbell font is ideal for advertising, brochures, menus, and a variety of other applications.

always
enthusiastic
Please handle with cake

Diotima Classic is a total upheaval for the 21st century of Gudrun Zapf von Hesse's mid-20th-century Diotima, one of the most beautiful types ever cast in metal. Its roots lay in a calligraphic sheet written by Gudrun Zapf von Hesse. The text was the "Hyperion to Diotima" by Friedrich Hölderlin; Diotima is the name of a Greek priestess in Plato's dialogue about love. In the philosopher's... Read More

always
fiddlesticks
Irreverence is easy, wit is hard

Devin is designed mainly for the benefit of the advertising industry, and it surely is a nice typeface for headings, isn't it? And you should see what a nice body type it makes! I had no other typeface in mind when working with it, but I can now find several typefaces it is related to. It reminds of the egyptienne group, but I did't really plan that.The name Devin is taken from my birth region.... Read More

replay
zygapophysis
Beware the hobby that eats

The original typeface was designed by Albert Kapr between 1971 and 1973 for Typoart in Dresden. Kapr was the font designer and teacher as well as book author on type design of former East Germany. He also was an expert on this kind of type design, and thus, it is no surprise that he created Leipziger Antiqua, a design combining features of both Latin and broken scripts. The result is a stunning... Read More

winter
fiddlesticks
No tails in the disorder please

Friz Quadrata font is the work of a number of collaborators. The first weight was created by Swiss designer Ernst Friz and made its first international appearance with the design release of Visual Graphics Corporations. ITC then arranged with VGC so that Victor Caruso could add a bold weight to the original. Finally, in 1992, French designer Thierry Puyfoulhoux designed italic weights for... Read More

vortex
microphysics
Slippery chicken hot pot young

Novarese font is the work of designer Aldo Novarese. He created 218 typeface cuts but as he was writing his book, Alfabeta, he decided to include only those he considered indispensable. He divided his fonts into 4 categories and in the designing of Novarese, took the best characteristics of each group and combined them into this font. In the style of Latin stone scripts of the second century... Read More

mystic
bureaucratic
Dried ball bursts into rage

ITC Tiepolo font is from the design team at AlphaOmega Typography and named after Italian artist Dominic Tiepolo. The designers describe it as a "sans serif with serifs" and it has also been referred to as a calligraphic design. Similar to Asian calligraphy, ITC Tiepolo font has personality yet does not detract from the text.

safety
bureaucratic
Hot and spicy duck heart

The Souvenir typeface was originally drawn by Morris Fuller Benton in 1914 as a single weight for the American Type Founders company. It was revived in 1967 by Photo-Lettering and optimized for phototypesetting equipment. ITC was formed in 1971 and, with the help of Photo-Lettering, introduced ITC Souvenir as one of its first font families. ITC Souvenir was designed by Ed Benguiat and comes... Read More

jungle
wunderkinder
Japanese apple and cheerful hamster

ITC Leawood was begun by designer Les Usherwood and finished by his talented staff at Typsettra in Toronto, Canada, after his untimely death. The typeface features small, well-defined serifs which aid legibility and allow for close spacing. Like the typeface Optima, ITC Leawood also displays emphasized strokes with a slight flare.

vortex
conceptional
Thank you for habitual drinking

When Adrian Frutiger developed this font in 1980, he was influenced by the ancient scripts often found on stones in Normandy or Ireland. This is by no means a direct interpretation of such scripts, however. Icone™ has asymmetric flaring serifs, a distinct lack of straight lines, and the comfortable legibility that is characteristic of Frutiger types. Icone reflects the successful attempt to... Read More

safety
zygapophysis
No occupation while stabilizing

The Delima font family has something of the Clarendon or Ionic influence but is distinguished by a lighter serif treatment. The contrast between thick and thin strokes is not pronounced, weight stress is vertical. Delima's serifs are short but strong, allowing close letter spacing to give good economy. Lowercase x-height is very generous, internal counters are open. This combines to give Delima... Read More

vortex
enthusiastic
The soil bean burns the beef

Check also: Sexy Type: The Classics

ITC Bookman was an instant success when it was first released in 1976. The design was an interpretation of the original Bookman typeface... Read More

brandy
zygapophysis
Rabbits be cuddly or nutritious

Designed in 1975 by the Dutch typographer Gerard Unger, Demos™ was one of the first digital typefaces. It was initially developed for use on the Digiset composing machine manufactured by the German firm Dr.-Ing Rudolf Hell GmbH, where coarsely pixelated letters were formed by a cathode ray tube. Early digital technology had a weakness that metal type did not have, regarding the optical... Read More

brandy
japanophilia
The soil bean burns the beef

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known as Bookman. Monotype Bookman Old Style roman is based on earlier Lanston Monotype and ATF models. The italic has been re drawn following the... Read More

jungle
bureaucratic
Take luggage of foreigner no charge

ITC Cheltenham font in its present form is the work of designer Tony Stan. Originally designed by architect Bertram Goodhue, it was expanded by Morris Fuller Benton and completed by Stan in 1975 with a larger x-height and improved italic details. ITC Cheltenham font is an example of an up-to-date yet classic typeface.

rocket
bureaucratic
Stop, I do not eat junk mail

ITC Quorum was designed by Ray Baker to neatly fill the gap between serif and sans serif. The typeface displays a distinctive, subtle design that illustrates a gothic simplicity. Baker cleverly combined traditional and formal letterform elements with contemporary design considerations and aesthetics. ITC Quorum is an excellent choice for advertising and publication graphics.

chalet
enthusiastic
Braise in soy, burnt sneak away

Memento is a 1993 design of the type artist Franco Luin, the creative mind behind a variety of types, for instance, Venus and Griffo Classico.Memento's high x-height allows it to be legible even in small point sizes. It is distinguished by its tiny triangular serifs, a characteristic reminiscent of the Dutch types of the 17th century. Memento is an extremely legible typeface with a classical... Read More

vortex
ultraviolets
Miscellaneous bacteria pot monsters

Check also: Robert Fiehn

The first cuts of Kabel appeared in 1927, released by the German foundry Gebr. Klingspor. Like many of the typefaces that Rudolf Koch... Read More

always
illustrative
Do not empty your dog here

Pacella was designed by Vincent Pacella and fashioned in the tradiation of Century Schoolbook, Corona and Nimrod. Pacella maintains high legibilty and exhibits a character and personality all its own.

Alan Meeks
ITC 1979
Akira Kobayashi and Gudrun Zapf-von Hesse
Linotype 2008
Franko Luin
Linotype 1994
Alexander Tarbeev
ParaType
Ralph M. Unger
profonts 2005
Ernst Friz
ITC 1965
Aldo Novarese
ITC 1984
Cynthia Hollandsworth Batty
ITC 1987
Edward Benguiat
ITC 1972
Bob McGrath and Adrian Williams
Elsner+Flake 1978
Leslie Usherwood
ITC 1985
Adrian Frutiger
Linotype 1980
Adrian Williams
Elsner+Flake 1983
Ong Chong Wah
Monotype 1993
Edward Benguiat
ITC 1975
Gerard Unger
Linotype 1975
Ong Chong Wah
Monotype 2005
Tony Stan
ITC 1978
Ray Baker
ITC 1977
Franko Luin
Linotype 1993
Tagir Safayev
ParaType
Manvel Shmavonyan
ParaType
Rudolf Koch
Linotype 1928
Morris Fuller Benton
Elsner+Flake 1902
Vincent Pacella
ITC 1987