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Kuenstler Script Alternatives

See also: Karte

Noah Nazir
K
Last edited August 16, 2018

After inventing a new metal typecasting procedure that allowed for the production of more detailed typefaces, the famous German typefoundry D. Stempel AG developed Kuenstler Script in 1902 - 1903. Originally called Künstlerschreibschrift (artistic handwriting), this design was based on English copperplate script styles from the late 1800s.In 1957, Hans Bohn added the heavy Kuenstler Script Black weight to the family.Like intricate handwriting put to paper with a feather and an inkwell, Kuenstler Script makes almost any text look distinguished and elegant. Kuenstler Script is a joining script; and because of its fine hairlines and small x-height, it is best used at sizes above 12 pt. The typeface works well in advertising work and on invitations, greetings cards, business cards, and certificates.

rocket
abstractions
Hell: one way in and no way out

Check also: Script Fonts for Wedding Invitations

In 1994, Edward Benguiat designed ITC Edwardian Script, an emotional, lyrical, even passionate calligraphic typeface. Its appearance was... Read More

rocket
hypothenuses
Stuff in palm treasure crayfish

Check also: Karte

Rage Italic is the work of American designer Ron Zwingelberg. It was one of the first casual brush style scripts with a rough, textured... Read More

replay
japanophilia
Please do not get over it

English Script Regular is a typeface made in the manner of English Copperplate, a kind of writing that was very popular in England during the 18th Century. Also referred to as English Round Hand, the style was promulgated by various writing masters, who published copybooks of their handwriting for students to use as guides.The style has remained popular to this day, and almost no sort of font... Read More

always
hypothenuses
Design munificent assemblaged

Check also: VILLAGRANDE SCRIPT

rocket
abstractions
Advocate using civilization language

Inscription is the work of Alan Meeks, a bold copperplate script with a fine open line running throughout. The relatively restrained initial capitals are complemented by a lowercase which joins together in the style of true handwriting. Inscription will give any text a look of refined elegance.

always
wunderkinder
Life is too short to follow the rules

Crestwood™ is an updated version of an elegant semi-formal script typeface originally released by the Ludlow Type Foundry in 1937. Crestwood is best used at larger sizes, and is wonderful for invitations and greeting cards. Character Set: Latin-1

replay
illustrative
Funny is an attitude

Noted British designer Phill Grimshaw designed Gravura in 1995. Gravura is a classic copperplate script with perfect strokes and proportions. The intricacy of its initial capitals blend beautifully with the simple elegance of its lowercase, whose letters have been designed to link together in the style of true handwriting. Text set in Gravura feels very personalized.

chalet
microphysics
Hell with the dog, beware of wife

Check also: VILLAGRANDE SCRIPT

Savoye was created by Alan Meeks in 1992. The spirit of the Jugendstil lies behind the design of this font. Graceful upright letters... Read More

winter
japanophilia
The grass is smiling at you

The calligraphy font Banner was designed by Martin Wait in 1986 and mixes the character of the 1940s with that of the 1980s in its forms. The round and somewhat reserved lower case letters make a balanced basis for the generous capitals. Black outer contours surround a white inner area and are heavier on the right side of the figures, making the characters look as though they have shadows. ... Read More

replay
conceptional
Fly chair shaking his head

Smack, from American designer Jill Bell, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and are accompanied by fine dots which almost look like accidental drops of ink on the paper. Smack is an... Read More

grapes
illustrative
Please handle with cake

Check also: Popular Tattoo Fonts

Citadel Script is based on script handwriting and engraving used in formal announcements and invitations. The Citadel Script font lends... Read More

jungle
guitarfishes
The grass is smiling at you

In 1957, Helmut Matheis designed Charme for the Ludwig and Mayer type foundry, located in Frankfurt am Main, Germany. This informal script is of medium weight and has some variation of color. The caps are flowing and the lower case letters are close fitting. Their is a bold companion, called Slogan.

rocket
fiddlesticks
Simulated meat floss biscuits

Check also: VILLAGRANDE SCRIPT

chalet
microphysics
Humor is reason gone bad

This script collection is used in advertising, invitations, greeting cards, and wherever a formal hand-lettered or engraving look is desired. Original Script has an elegant connecting alphabet based on formal handwriting. The Original Script font is a safe choice for invitations to weddings and formal occasions, and personal stationery.

vortex
abstractions
Chicken rude and unreasonable

Check also: Script Fonts for Wedding Invitations

always
bureaucratic
Sarcasm is more a shield than a lance

Coronet was designed by type artist Robert Hunter Middleton and it was released by the Ludlow type foundry in 1937. This calligraphic typeface is one of the early attempts to produce a modern calligraphy. Robert Hunter Middleton used baroque models and added contemporary elements to them. Coronet has clear strokes with little ornamentation in its capitals and has a reduced x-height, as do... Read More


Bitstream
Edward Benguiat
ITC 1994
Ron Zwingelberg
ITC 1984

Linotype
Morris Fuller Benton
Bitstream 1906
URW++
profonts 2007
Profonts Studio
profonts 2008

Bitstream
Monotype.Design Studio
Monotype
Gert Wiescher
Wiescher Design 2005
Alan Meeks
ITC 1994
Robert Hunter Middleton and Steve Matteson
Ascender
Phill Grimshaw
ITC 1995

Bitstream
Intertype
Bitstream
Vladimir Yefimov
ParaType
Alan Meeks
ITC 1992
Brendel Type Studio
Elsner+Flake 1974
Martin Wait
ITC 1986
Manvel Shmavonyan
ParaType
Jill Bell
ITC 1995
Monotype.Design Studio
Monotype 2003
Helmut Matheis
Linotype 1957

Bitstream
Karl Klauß and Profonts Studio
profonts 2005
Monotype.Design Studio
Monotype 2005
Three Islands Press
Three Islands Press
Robert Hunter Middleton
Monotype 1937